12-year-old Dre Parker could’ve been the most popular kid in Detroit, but his mother’s latest career move has landed him in China. Dre immediately falls for his classmate Mei Ying – and the feeling is mutual – but cultural differences make such a friendship impossible. Even worse, Dre’s feelings make an enemy of the class bully, Cheng. In the land of kung fu, Dre knows only a little karate, and Cheng puts “the karate kid” on the floor with ease. With no friends in a strange land, Dre has nowhere to turn but maintenance man Mr. Han, who is secretly a master of kung fu. As Han teaches Dre that kung fu is not about punches and parries, but maturity and calm, Dre realizes that facing down the bullies will be the fight of his life.

Spencer Aimes (Kutcher) is just your average, undercover, government-hired super-assassin accustomed to a life of exotic European locales, flashy sports cars and even flashier women. But when he meets Jen Kornfeldt (Heigl), a beautiful, fun-loving computer tech recovering from a bad break-up, he finds true love…and happily trades international intrigue for domestic bliss. Three years later, Spencer and Jen are still enjoying a picture-perfect marriage – that is, until the morning after Spencer’s 30th birthday. That’s when Spencer and Jen learn he’s the target of a multi-million dollar hit. Even worse, the hired killers have been stalking the happy couple for years, and could be anyone: friends, neighbors, the grocery store clerk, even that crabby old guy shuffling across the street. Now Spencer and Jen are on the run for their lives. As their suburban paradise turns into a paranoid game of dodge-the-bullet, they must find out who wants Spencer dead and why, all the while trying to save their marriage, manage his in-laws, keep up neighborly appearances… and just plain survive.

While wrestling with the pressures of life, love, and work in Manhattan, Carrie, Miranda, and Charlotte join Samantha for a trip to Morocco, where Samantha’s ex is filming a new movie.

1980s TV action gets a reboot with this new version of The A-Team, which shifts the Vietnam vet backstory to a group of Iraq War vets who become mercenaries for hire. Joe Carnahan (Smokin’ Aces) directs from a script by G.I. Joe’s Skip Woods. Liam Neeson heads up the crew as Hannibal, the brains of the operation, with Bradley Cooper as Face, UFC star Quinton \”Rampage\” Jackson filling in for Mr. T as B.A. Baracus, and District 9′s breakout star, Sharlto Copley, inheriting the unhinged role of “Howling Mad” Murdock. Jessica Biel also co-stars.

A record company intern is hired to accompany out-of-control British rock star Aldous Snow to a concert at L.A.’s Greek Theater.

A trust fund party boy becomes the coach of his neighborhood youth soccer team after his model girlfriend kicks him to the curb and his former drinking buddies all decide to move on with their lives. When it comes to motivation, Nick (Hugh Dancy) is sorely lacking. Content just to watch life pass by while he lives it up with friends, Nick struggles to find direction after everyone he knows disappears. Nick may not know the first thing about coaching sports, but when an opportunity with a local youth league opens up, he jumps. After striking up a fast friendship with one of his young charges, the aging slacker falls for pretty young doctor Gabrielle, who displays little patience for his irresponsible lifestyle. Before long things start looking up for Nick, but when his ex comes back begging forgiveness, everything starts to fall apart. If Nick can just find a way to show Gabrielle that he’s really changed, perhaps she will discover that he’s a catch worth hanging on to.

A taught reinvention of vampire lore,Shadowland opens in modern day North America, where construction workers uncover an old stone cross and what appears to be a wooden stake. They remove the stake from the ground, allowing Laura (Caitlin McIntosh), a slumbering vampire, to revive and rise from the earth. Beaten and weak, Laura is unable to speak, remember who she is, or even the fact that sheis a vampire! As Laura attempts to make sense of the strange new world around her, she begins to remember not only an idyllic human life in 1897 but the handsome Lazarus (Carlos Antonio Leon), a mysterious lover who may not have had her best interests in mind. Soon Julian (Jason Contini), a world-weary vampire hunter employed by the church, begins tracking Laura, but as he closes in for the kill her learns that things are not what they seem. An ambitious indie feature created entirely with a St. Louis cast and crew, Shadowland relies on character, tension, and a series of reveals to tell the tragic story of an anti-heroine.

Zel is a fortune teller. She lives and works in an old house at the edge of the woods. The house is crowded with ghosts (including a priest, a bride, a mute child, some washed up vaudevillians and a noisy, sight-impaired group of musicians among others) that have been there for as long as she can remember. When a mysterious light appears in the woods the ghosts realize that they are trapped and begin to rebel. Zel is forced to come to terms with the origins of these spirits and letting go of the only family she has ever known.

Before the Premier League and multi-million pound salaries, in England ‘football’ was a dirty word. The game was in disgrace, the fans, hooligans, the nation, it seemed, were all played out. Then there was Italia ’90 – The World Cup – a shot at redemption. But this was no ordinary World Cup and no ordinary time. The manager, Sir Bobby Robson, was under intense media scrutiny, and his team described as ‘donkeys’. Yet over six short weeks, through their heroic exploits they united a nation, coming within a heart beat of reaching the World Cup Final. Narrated by Gary Oldman, featuring match action – from Platt’s last-gasp winner against Belgium to the silky skills of Gazza and the cool finishing of Linekar – and previously unseen footage, this is the definitive story of England’s greatest footballing adventure on foreign soil….so far.

Investigators pursuing a bizarre hemorrhagic illness are lead to a strange black painting that they discover is a portal to another dimension.

A zany spoof of Judd Apatow comedies, The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It tells the tale of Andy, an aging virgin who attempts to score with a little help from his horny best pals.

Gutter King is an urban coming-of-age fight drama about a tough street kid just released from the Juvenile Department of Corrections. His new foster father tries to channel the boy’s rage into the world of amateur bare-knuckle brawling, but his jealous brother has other plans.

Based on Terry Pratchett’s 33rd Discworld novel involves a skillful con artist Moist Von Lipwig who finds the tables turned and it’s he himself who conned into becoming the Ankh-Morpork Postmaster General. A position that has not been filled in years.

A woman is forced into a deadly game in which she has to kill five people or all her friends and family will be butchered.

Lonely bachelor Rick turns to the Perfect Combination dating service when he hits his 30th birthday with no sign of romance in sight. With a crack team of advisors dictating his every move, Rick strives to find the woman of his dreams in time to settle down and start a family.

A cruel twist of fate catapults small time crook Mickey Skinner into the big league, as head of a brutal London gang poised on the brink of a lucrative human-trafficking deal.

Not The Messiah (He’s a Very Naughty Boy) is a comic oratorio based on Monty Python’s Life of Brian, which retells the tragic tale of Mandy, impregnated by a Roman soldier, giving birth to Brian, a reluctant revolutionary of the People’s Front of Judea who falls in love with Judith, gets mistaken for a Messiah and is arrested by the Romans and sentenced to be crucified. It ranges in reference from Handel, through a naughty Mozart duet, to the Festival of Nine Carols, Bob Dylan, and the classic finale “Always Look on the Bright Side of Life”.

A murdered hotel millionaire’s son finds himself tangled up in a game of seduction and murder after a raunchy night with three beautiful women.

A year after the collapse of a low-budget British rom-com, documentary maker Andy Wiseman sets out to find out what went wrong. He speaks to the producer, Nicholas Johnson, an alcoholic whose office is a lap-dancing club, the writer, Flynn Beatty, living in a suburban semi, and the deluded ‘visionary’ director, Harlan Noble, dwelling in deserved obscurity. But as the cast and crew tell their tale, will Andy ever get to the bottom of the farrago that was ‘Just for the Record’?